UFA Film Nights 2025: Reviving Weimar Cinema Classics on Berlin’s Museum Island

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As the summer evenings draw to a close, film enthusiasts in Berlin are gearing up for a captivating blend of history, art, and entertainment. The annual UFA Film Nights are returning for their 15th edition, promising three nights of silent film magic under the stars. Set against the iconic backdrop of Berlin’s Museum Island, this year’s event focuses on the stars of Weimar cinema, showcasing restored classics from the 1920s with live musical accompaniment. Organized by Bertelsmann and UFA, the open-air screenings will take place from August 27 to 29, drawing crowds eager to experience the golden age of German filmmaking in a unique setting.

This year’s program highlights the enduring legacy of early German cinema, a period marked by innovative storytelling and expressive visuals that influenced filmmakers worldwide. The event not only celebrates the artistic achievements of the era but also underscores the ongoing efforts to preserve and digitize these cultural treasures. With tickets already on sale, anticipation is building for what has become a staple in Berlin’s cultural calendar.

A Glimpse into the Program

The festivities kick off on Wednesday, August 27, with “VarietĂ©” (Variety), a 1925 drama directed by Ewald AndrĂ© Dupont. Starring Emil Jannings and Lya de Putti, the film tells a tale of love, betrayal, and redemption set in the world of trapeze artists. Accompanying the screening will be live music from the UFA Syncopators: KĂĽspert & Kollegen, featuring a newly composed score by Werner KĂĽspert and Richard Siedhoff, making its world premiere. This restoration, courtesy of the Friedrich Wilhelm Murnau Foundation, brings the film’s acrobatic sequences and emotional depth to life in stunning clarity.

On Thursday, August 28, audiences will be treated to “Der Rosenkavalier” (The Rose Bearer), another 1925 gem directed by Robert Wiene, known for his work on “The Cabinet of Dr. Caligari.” This operatic adaptation, based on Richard Strauss’s work, will be enhanced by the Metropolis Orchester Berlin, whose performance promises to capture the elegance and wit of the original composition. The film’s intricate sets and costumes reflect the opulence of the Weimar period, offering a visual feast for contemporary viewers.

The event concludes on Friday, August 29, with “Der Sträfling aus Stambul” (The Convict from Istanbul), a 1929 adventure directed by Gustav Ucicky and starring Heinrich George. This screening marks the world premiere of its digitally restored version, also provided by the Murnau Foundation. Composer PC Nackt has created a fresh score for the occasion, blending modern elements with the film’s exotic narrative of escape and intrigue. Each evening begins at 9:00 p.m., preceded by introductory talks from actress Inka Friedrich, who will provide context and insights into the films’ historical significance.

Tickets for the UFA Film Nights are priced at €22 and can be purchased online through the official event website. Organizers recommend arriving early to secure prime seating in the colonnades of the Pergamonmuseum, where the historic architecture complements the on-screen drama perfectly. For those interested in exploring more about the event, visit UFA Film Nights official site.

The Rich History of UFA

UFA, or Universum Film AG, has been a cornerstone of German media since its founding in 1917 during World War I. Initially established as a propaganda tool by the German High Command, it quickly evolved into Europe’s largest film studio, producing iconic works during the silent era and beyond. Under the leadership of figures like Erich Pommer, UFA became synonymous with artistic innovation, employing directors such as Fritz Lang and F.W. Murnau, whose films like “Metropolis” and “Nosferatu” remain benchmarks in cinema history.

Throughout the 1920s and 1930s, the company dominated the German market, blending commercial success with technical advancements. However, its history is complex, intertwined with the political shifts of the time, including nationalization under the Nazi regime. Post-World War II, UFA faced reconstruction, eventually becoming part of the Bertelsmann media conglomerate in the 1960s. Today, as UFA GmbH, it encompasses a wide range of production activities, from television series to feature films, maintaining its status as a key player in European entertainment.

The company’s evolution reflects broader changes in the industry, adapting to television, digital streaming, and now interactive media. Its studios in Babelsberg, near Berlin, continue to host major productions, attracting international talent and fostering collaborations that bridge past and present.

Recent Developments and Expansions

In recent years, UFA has demonstrated a commitment to innovation and growth. Earlier in 2025, the company launched UFA Good Games, a new unit dedicated to developing content at the intersection of gaming and storytelling. Led by Jörg Adami, formerly of esports player foundation, this initiative aims to create immersive experiences that appeal to younger audiences, blending traditional narrative techniques with interactive elements.

Additionally, UFA has expanded its regional presence with the establishment of UFA Mitte GmbH in central Germany. This new entity focuses on producing local content while nurturing emerging talent, ensuring that diverse voices are represented in its portfolio. In Hungary, the company reorganized its subsidiary, now known as UFA ProdukciĂł, under new co-managing directors to streamline operations and enhance creative output.

Leadership transitions have also marked the company’s trajectory. In 2024, long-time chairman Nico Hofmann stepped down to pursue new ventures, including a first-look deal with Beta Film. His departure paved the way for fresh perspectives, with UFA continuing to produce high-profile projects like historical dramas and contemporary series that resonate globally.

More recently, UFA bolstered its cinematic endeavors by hiring Christoph MĂĽller from Constantin Film as an executive producer. MĂĽller, known for his work on “September 5,” brings expertise in feature films, signaling UFA’s intent to strengthen its presence in international markets.

The Cultural Impact and Future Outlook

Events like the UFA Film Nights serve as a bridge between UFA’s storied past and its dynamic future. By showcasing restored silent films, the company not only honors its roots but also educates new generations about the artistry of early cinema. The live music component adds a layer of immediacy, transforming passive viewing into an interactive cultural experience. Partnerships with institutions like the Prussian Cultural Heritage Foundation and the Murnau Foundation highlight the collaborative spirit essential to film preservation.

In a broader context, these initiatives reflect the evolving landscape of media consumption. With streaming platforms dominating, UFA’s focus on quality content and innovative formats positions it well for continued success. The integration of gaming through UFA Good Games, for instance, taps into a burgeoning market, potentially leading to hybrid projects that combine film, TV, and interactive elements.

As Germany celebrates its rich cinematic heritage, UFA remains at the forefront, adapting to technological advancements while staying true to its creative ethos. The Film Nights also underscore Berlin’s role as a cultural hub, attracting tourists and locals alike to Museum Island, a UNESCO World Heritage site.

For those exploring more in the realm of European media and entertainment, resources like ufa offer additional insights into diverse broadcasting and cultural programming. As UFA looks ahead, its blend of tradition and innovation ensures it will continue to shape the narrative of German and international media for years to come.

The 2025 UFA Film Nights promise not just entertainment but a journey through time, reminding us of the power of film to connect, inspire, and endure. Whether you’re a cinephile or a casual viewer, this event offers a rare opportunity to witness history in motion.

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